Kazimir Malevich

1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments
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Kazimir Malevich Mower oil


Mower
Painting ID::  59729 		Mower
Mower, 1930
Mower,_1930
   
   
     
Kazimir Malevich Running man oil


Running man
Painting ID::  59730 		Running man
Running man (Holodomor?), 1932
Running_man_(Holodomor?),_1932
   
   
     
Kazimir Malevich red house oil


red house
Painting ID::  68711 		red house
1932, oil on canvas 63x55. state russian museum ,leningrad. se
   
   
     
Kazimir Malevich trees oil


trees
Painting ID::  68712 		trees
1904, oil 31x19 collection of george costakis, athens se
1904,_oil_31x19 collection_of_george_costakis,_athens se
   
   
     
Kazimir Malevich suprematism oil


suprematism
Painting ID::  68713 		suprematism
oil on canvas 80.2x80.3 tate gallery, london se
oil_on_canvas_80.2x80.3 tate_gallery,_london se
   
   
     
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     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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